This book explores the dynamic relationship between creative process, presentation and spectator response to provide students and scholars in Drama with new insights on performance from poetry to pantomime.
- Mythical and Tangible: Tales of Life, Liberty, and the Pursuit of Singletrack;
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- The Things That Count: Twelve Challenges to Dynamic Living?
- Stargazer (Evernight);
- The Princess and The Garden.
These essays make parallels between areas of performance that are rarely, if ever, compared. They present the basis for an overall theory of how 'conception', 'development', 'presentation'and'reception' are fused together to make up the overall' performance'. This study investigates the relationship between the process of creating performance and spectator response, and how this exchange is embedded into the product itself. The authors draw on theoretical approaches from a range of sources, and examine the work of contemporary dramatists, choreographers, poets and performers.
Its construction of a new, wide-ranging approach to performance research makes this book a valuable resource for the student as well as the broader academic community. It has application both as a textbook and for supplementary research on drama courses nationwide.
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Theatre and Everyday Life. Alan Read asserts that there is no split between the practice and theory of theatre, but a divide between the written and the unwritten. In this revealing book, he sets out to retrieve the theatre of spontaneity and tactics, which grows out of the experience of everyday life.
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It is a theatre which defines itself in terms of people and places rather than the idealised empty space of avant garde performance. Read examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment. His book is a persuasive demand for a critical theory of theatre which is as mentally supple as theatre is physically versatile.
What is implied when we refer to the study of performing arts as'drama','theatre'or'performance'? Each term identifies a different tradition of thought and offers different possibilities to the student or practitioner. This book examines the history and use of the terms and investigates the different philosophies, politics, languages and institutions with which they are associated.
Simon Shepherd and Mick Wallis: analyze attitudes to drama, theatre and performance at different historical junctures trace a range of political interventions into the field s explore and contextualise the institutionalisation of drama and theatre as university subjects, then the emergence of'performance'as practice, theory and academic disciplines guide readers through major approaches to drama, theatre and performance, from theatre history, through theories of ritual or play, to the idea of performance as paradigm for a postmodern age discuss crucial terms such as action, alienation, catharsis, character, empathy, interculturalism, mimesis, presence or representation in a substantial'keywords'section.
Continually linking their analysis to wider cultural concerns, the authors here offer the most wide-ranging and authoritative guide available to a vibrant, fast-moving field and vigorous debates about its nature, purpose and place in the academy. The Theater of Transformation. The two parts of the book shed light on one another. The collective was in constant change, and so was its name. New Deal Theater recovers a much ignored model of political theater for cultural criticism.
While considered to be less radical in its aesthetics and politics than its celebrated Weimar and Soviet cousins, it nonetheless proved to be highly effective in asserting cultural critique. In this regard it offers a vital alternative to the dominant modernist paradigm developed in Europe.
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Rather than radicalizing content and form, New Deal theater insisted that the political had to be made commensurable with the language of a mass audience steeped in consumer culture. The resulting vernacular praxis emphasized empathy over alienation, verisimilitude over abstraction. By examining the cultural vectors that shaped this theater, Saal shows why it was more successful on the American stage than its European counterpart and develops a theory of vernacular political theater which can help us think of the political in art in other than modernist terms.
The reality of a play is in its performance. Making Theatre focuses on the processes by which performance is realized, analyzing three major areas:'Words'and the interpretation of text;'Vision'including scenery, costume and lighting; and'Music'which illustrates the importance of music in all stage action. The forms of theater covered include straight drama, the musical and opera. Whether you are a design educator, student, or professional, native or non-native English speaker, this bright and concise reference is a must.
La pintura del siglo XVI. Pintura figurativa del siglo XX. The beauty of a watercolor painting lies in its diaphanous layers, delicate strokes, and luminous washes. However, the very features that define the beauty of the medium can make it difficult to master. This complete guide to understanding the relationships between color, value, wetness, and composition unravels the mysteries of watercolor to help your practice evolve.
Experienced teacher and acclaimed artist Tom Hoffmann offers a unique, inquiry-based approach that shows you how to translate any subject into the language of watercolor. With Hoffmann as your guide, you'll learn the key questions to ask yourself at every turn and time-tested methods to help you reach solutions.
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Hoffmann's thorough explanations and step-by-step demonstrations delineate the process of composing a painting in watercolor, while art from more than thirty-five past and present masters, including John Singer Sargent, Ogden Pleissner, George Post, Emil Kosa, Jr. Whether you're a serious beginner or a seasoned practitioner, this book will guide you toward the all-important balance between restraint and risk-taking that every watercolorist seeks.
Want to paint more like Manet and less like Jackson Pollock? Students of art hailed Classical Drawing Atelier, Juliette Aristides's first book, as a dynamic return to the atelier educational model. Ateliers, popular in the nineteenth century, teach emerging artists by pairing them with a master artist over a period of years. The educational process begins as students copy masterworks, then gradually progress to painting as their skills develop. The many artists at every level who learned from Classical Drawing Atelier have been clamoring for more of this sophisticated approach to teaching and learning.
In Classical Painting Atelier, Aristides, a leader in the atelier movement, takes students step-by-step through the finest works of Old Masters and today's most respected realist artists to reveal the principles of creating full-color realist still lifes, portraits, and figure paintings. Rich in tradition, yet practical for today's artists, Classical Painting Atelier is ideal for serious art students seeking a timeless visual education.
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Painting Expressive Watercolour. This book is a practical guide to watercolour painting and more. It explains the importance of colour, tone, shape, texture and scale through exercises and shared techniques, but it also encourages the artist to express sensations and ideas in watercolour - and by exploring the joy of the medium, to develop handling skills, confidence and a unique painting'voice'.
Includes: getting started; materials, fundamentals and mark-making; ideas to trigger the imagination for developing personal style; a variety of images to inspire and encourage; and help and advice throughout to practice new skills and gain confidence with a medium that has the potential magnificence of a'full orchestra', yet can be slipped into the pocket. Lavishly illustrated with colour photographs. Artist's Painting Techniques. Artist's Painting Techniques is your practical guide to learning how to bring out your inner artist with a wide range of painting styles, whether you want to learn how to use acrylics, watercolors, or oil paints.
With progression in mind, this master class will teach you the basic principles of painting and then inspire you to move on to new challenges and create masterpieces of your own. It explains which tools, materials, and methods should be used along the way, but lets you develop your artistic skills on your own terms rather than providing a series of steps to be followed.
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Whether you are a beginner wanting to take up a new hobby or an experienced artist who wants to expand your horizons and learn new styles, Artist's Painting Techniques will set you on your path to creativity. What Is an Image? This innovative collection gathers some of the most influential historians and theorists working on images to discuss what the visual has come to mean. Topics include concepts such as image and picture in the West and outside it; the reception and rejection of semiotics; the question of what is outside the image; the question of whether images have a distinct nature or are products of discourse, like language; the relationship between images and religious meanings; and the study of non-art images in medicine, science, and technology.
Framing Pictures : Film and the Visual Arts.
Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films'animate'artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative. He explores how this'mobilization'of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums.
The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements.
This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall. Illustrated throughout, Jacobs'study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike.
World Cinema and the Visual Arts. World Cinema and the Visual Arts'combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. The films analysed encompass a wide geographical base, and have been drawn from a diverse array of cultural traditions. Danza : Dance.
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Young readers will learn about dance through simple sentences and supportive pictures. Proposiciones en torno a la historia de la danza.
El cuerpo en la danza. The Routledge Dance Studies Reader. Dance, Modernity and Culture. In this book, Helen Thomas provides an original, interdisciplinary approach to the study of dance. By examining the development of modern dance in the USA during the s and s she develops a framework for analyzing dance from a sociological perspective. As an important contribution to dance scholarship this book will be essential reading for all those interested in the performing arts.
Understanding Dance. Understanding Dance is a comprehensive introduction to the aestethetics of dance, and will be an essential text for all those interested in dance as an object of study. Focusing on the work of a number of major choreographers, companies and critics Graham McFee explores the nature of our understanding of Dance by considering the practice of understanding dance-works themselves. He concludes with a validation of the place of dance in society and in education. Troughout he provides detailed insights into the nature and appreciation of art as well as a general grouding in philosophy.
The Modern Dance. This book is actually the text of four lectures delivered as the New School for Social Research in New York in the season of to introduce a series of lecture-demonstrations on what was then a largely unfamiliar subject. Modern Dance, Techniques and Teaching.